April 24-26, 2024 | Sorbonne University, Paris
Programme
Wednesday April 24 | Mercredi 24 avril
Campus Clignancourt (2 rue Francis de Croisset, 75018 Paris), salle R01
9:30 Welcome Remarks | Accueil des participantes et participants
10:00 Introduction of officials and co-organizers | Introduction des officiels et des co-organisatrices
Rethinking the history of the avant-garde | Repenser l’histoire des avant-gardes Moderated by Leah Batstone
10:30-11:00 Mykhailo Chedryk, "Kyiv Avant-Garde: seeking interaction with the world"
11:00-11:30 Peter Schmelz, “The Kyiv Avant-garde: A Decolonial Retrospective”
11:30-12:00 Teresa Mazepa, Miroslaw Dymon & Nataliia Syrotynska, "Ukrainian Graduates of the Lviv School of Musicology by Adolf Chybińsky in the context of the avant-garde trends of the epoch"
12:00-12:30 Discussion
12:30 - 14:00 Lunch break | Pause déjeuner
Rediscovering the avant-garde(s) I | Redécouvrir les avant-gardes (1) Moderated by Louisa Martin-Chevalier
14:00-14:30 Iuliia Bentia, "The Riot of Eternal Spring: Mykhailo Verykivsky and the Unfinished Musical Revolution of the 1920s"
14:30-15:00 Maria Romanets, "Avant-garde Trio for flute, clarinet and bassoon by Stephania Turkevych – look backward or step forward?"
15:00-15:30 Discussion
15:30-16:00 Coffee break | Pause café
Rediscovering the avant-garde(s) II | Redécouvrir les avant-gardes (2) Moderated by Liubov Morozova
16:00-16:30 Olha Lihus, "Pavlo Senytsia’s Creativity in the Avant-Garde of the Modernism in Ukrainian Music"
16:30-17:00 Vasilis Kallis, "Ukrainian Avant Garde Between 1910–1930: Revutskyi and Lyatoshynskyi
17:00-17:30 Discussion
Thursday April 25 | Jeudi 25 avril
Campus Clignancourt (2 rue Francis de Croisset, 75018 Paris), salle R01
Theoretical and analytical discourses | Discours théoriques et analytiques sur les avant-gardes Moderated by Jean-Marc Chouvel
9:30-10:00 Iryna Tukova & Tetiana Homon, "Solving the puzzle of Liatoshynsky’s Golden Crown"
10:00-10:30 Alla Zahaykevych, "Méthodes de composition algorithmique dans les œuvres de Leonid Hrabovskyi et Georgiy Potopalskyi"
10h:30-11:00 Discussion
11:00-11:30 Coffee break | Pausé café
Other challenges | Contester autrement ? Moderated by Louisa Martin-Chevalier
11:30-12:00 Liza Sirenko, "Between Ethics, Technique, and Aesthetics: Experimental and Classical Music in Ukraine at War"
12:00-12:30 Lidiya Melnyk, "Without gendering: Women in the New Music of Ukraine. A few remarks about irrelevancy of “male” and “female” in the composer art"
12:30-13:00 Discussion
13:00-14:30 Lunch break | Pause déjeuner
Musicological research about Ukraine today. New Perspectives? | Mener des recherches musicologiques sur l’Ukraine aujourd’hui. Nouvelles perspectives ? Moderated by Myroslav Shkandrij
14:30-15:00 : Eleonora Maksiutenko, "Between Two Waves: Was There a Ukrainian Musical Avant-Garde in the 1930s and 1940s?"
15:00-16:00 : Roundtable « Decolonization and gender studies in Ukrainian studies today » Leah Batstone, Olga Bekenshtein, Louisa Martin-Chevalier, Liubov Morozova, Yuliia Kravchenko & Anna Stavychenko.
16:00-16:30 Coffee break | Pausé café
16:30-18:00 Closing discussion | Discussion finale
20:00 Concert : Les nuits électriques
Sorbonne, amphithéâtre Richelieu 17, rue de la Sorbonne 75005 Paris
Performances by Diana Ziabchenko (mezzo-soprano), Anna Khmara (piano), Kateryna Khudiakova (violin), Antonina Krysa (violin), Andrii Malakhov (viola), Olga Driga (cello), and Alla Zahaykevych (live electronics)
Presented by Ukrainian Contemporary Music Festival and Ukrainian Institute, Kyiv in partnership with 1991 Project